The process by which communities channel collective violence onto a single victim to restore social order through unanimous expulsion.
The scapegoat mechanism is René Girard’s account of how human communities manage the threat of collective violence. When mimetic rivalry spreads through a group and threatens to tear it apart — the condition Girard called the sacrificial crisis — communities have historically resolved the tension by redirecting their collective violence onto a single victim: the scapegoat.
The victim is expelled or killed. The community, formerly divided by rivalry, is reunited in unanimous violence against the victim. Peace is restored — temporarily.
The mechanism has several essential features:
1. The victim is chosen arbitrarily. The scapegoat is not guilty of the crime attributed to them. They are chosen because they stand out — because they are different from the community in some way (a stranger, a cripple, a king, an outsider). Girard called these features victimage indicators: they make a person a plausible candidate for the community’s projected hostility.
2. The mechanism requires unanimity. The healing power of the scapegoat depends on the community directing its violence against a single target. If the violence remains internal, it only spreads the contagion. When it becomes unanimous — when everyone agrees that this person is the source of the community’s problems — the mimetic tension is discharged.
3. The victim is subsequently divinized. After the scapegoating event, the community typically experiences the peace that follows as a miracle — proof of the victim’s divine power. The victim who seemed to cause all the trouble now seems to have resolved it. Myths are built around this inversion: the villain becomes a god.
4. Culture is built on the cover-up. Ritual, myth, taboo, and law all grow up around the founding murder to commemorate and renew the mechanism. The sacrifice is re-enacted in ritual; the myth portrays the victim as guilty; the taboos prevent the recurrence of the rivalries that led to crisis.
Girard argued that the biblical tradition — and Christianity in particular — represents a unique revelation of the scapegoat mechanism. The Hebrew Psalms, Job, and the prophets increasingly take the side of the victim: the victim is innocent. The Gospels complete this revelation: Jesus is the scapegoat mechanism laid bare. The narrative of his death follows the mechanism exactly (false accusation, crowd demand, unanimous condemnation) but tells it from the victim’s point of view and insists on his innocence.
Once the mechanism is exposed, it loses its founding power. This is why Girard believed that modernity’s inability to manage collective violence is connected to the spread of Christianity: the mechanism no longer works cleanly because we can no longer believe in the victim’s guilt.
The scapegoat mechanism continues to operate in secular modernity, though in modified forms:
The difference in modernity is that these mechanisms are less effective and less stable — because the innocence of the victim is harder to maintain.
The Power of Mimetic Desire in Everyday Life
The landmark accessible account of Girard's theory of mimetic desire. Translated into twenty languages.
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