A form of mimetic desire where the model is too distant — historically, socially, or geographically — to become a rival.
External mediation is the form of mimetic desire in which the model inhabits a different world from the subject — separated by time, social position, or distance sufficient to prevent direct rivalry. The model inflames desire without becoming a personal rival.
Girard’s paradigm case is the protagonist of Cervantes’s Don Quixote: a provincial nobleman who takes the chivalric heroes of romance novels as his models. These heroes cannot compete with him for the same women, lands, or social positions — they are purely fictional and temporally remote. The mediation is external, and the result is a kind of innocent, romantic obsession.
Other examples:
In all these cases, the model points toward objects or qualities without entering into direct competition for them.
Compared to internal mediation, external mediation tends to be psychologically and socially safer. The model can inspire without generating rivalry. The idealization of distant models — saints, heroes, great historical figures — is partly a cultural technology for providing models of desire that do not produce destructive competition.
Girard observed that traditional cultures provided many such models: saints, ancestors, mythological heroes. Modernity has increasingly replaced these distant models with proximate peers and celebrities who hover between external and internal mediation — close enough to inspire, close enough to compete.
A key feature of digital culture is that it has compressed the distance between models and subjects. Celebrities who were formerly safely external — physically and socially remote — now appear on the same platform as one’s immediate peers, interacting in real time. The line between external and internal mediation has become blurry.
This is one reason Girard’s theory has become more, not less, relevant in the social media age.
The Power of Mimetic Desire in Everyday Life
The landmark accessible account of Girard's theory of mimetic desire. Translated into twenty languages.
Anti-Mimetic
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