The person from whom desire is borrowed. The model shows what is desirable and, if they become a rival, blocks access to it.
In mimetic theory, the model (also called the mediator) is the person from whom the subject borrows their desire. The model is the hidden third vertex in the triangle of desire: Subject → Object, mediated by the Model.
The model is not necessarily conscious of their role. They do not necessarily intend to provoke imitation. Their desire simply makes the object appear worth wanting.
The model has a paradoxical double function: they both show the subject what to want and, as a rival, block access to it. This double role is what makes mimetic desire so powerful and so painful.
When the model and subject share the same social world (internal mediation), the model’s possession of the object becomes both a proof of the object’s value and an obstacle to the subject’s having it. This is the engine of mimetic rivalry.
Since desire is always borrowed, the question is not whether to have models but which models to choose. Girard’s Christian ethics were partly about this: imitating Christ, who is a model that does not compete with you for worldly objects, is a form of liberation from mimetic rivalry.
Luke Burgis’s Wanting develops this point practically: most people choose models unreflectively, driven by proximity, prestige, and social media. Choosing models deliberately — and choosing models whose desire does not converge on the same scarce objects you desire — is what Burgis calls “anti-mimetic” living.
Burgis introduced two useful terms for types of models:
Social media has made Celebristan bleed into Freshmenistan: we are now in direct contact with aspirational figures who were formerly safely distant.
The Power of Mimetic Desire in Everyday Life
The landmark accessible account of Girard's theory of mimetic desire. Translated into twenty languages.
Anti-Mimetic
Weekly short-form thoughts on mimetic desire, culture, and what it means to want freely. No essays — bullets.
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